Showing posts with label chemo. Show all posts
Showing posts with label chemo. Show all posts

Sunday, August 26, 2007

Finishing BMT.


photo: leukemia cells. From PLOS Biology.

I'm now finished with the bone marrow transplant service--or what is really the hematologic malignancy service, which serves people with lymphoma, leukemia or other problems of their blood and immune cells. It was a tough month, with long hours, as my lack of posting at this blog will reveal.

One snapshot:

The floor below is a labor and delivery floor. On the elevator up, a family of kids and adults is talking excitedly, carrying a congratulatory balloon. One woman stands quietly on the side; the oncology/bone marrow transplant floor button is already pushed when I get on. The family leaves at the labor and delivery floor, and the door closes, leaving her and me in the elevator. She says, "It's amazing how different those two floors of the hospital are." We get off at the next floor; it is quiet.

A sign at the entrance to the BMT wing tells visitors that children under 6 are not allowed. Small children and their microbes are among the many things which pose potentially mortal danger to people getting bone marrow transplants. They are sitting in their rooms, waiting for their new immune systems to grow.

Friday, March 30, 2007

A guy wrote a poem

Donald Hall wrote a poem called "The Ship Pounding" about his wife in a hospital, getting chemotherapy. He talks about how he thinks they are traveling somewhere – that the chemo will get them both home. But as he returns to the hospital with her a little bit later, now with her delirious, and presumably still more sick, he sees the hospital as a ship forever in port, without destination, its massive engines churning as the ship stays still.

I was on a pain and palliative care rotation at the hospital where I suspect that he wrote this poem, and a patient was saying something – which, I have to be honest, I now forget. (Does this make the story better or worse? I'm not sure.) I remember that I said, "There was a guy whose wife was here for cancer treatment in this hospital, and he wrote a poem where he described the hospital as a ship with its engines going all the time but always staying in port." The patient said, "Not going anywhere." And I said, "Right." And the patient gave a little smile in recognition.

I think I marked the moment in my memory not for the rest of the conversation but because I was amused at the way I blurted out my literary reference, as soon as I had done it. Was I going to tell this patient that I was referring to a poem that a literature-minded teacher had passed around to a medical school class, or tell him I was referring to a poem written by one of America's premier poets? (Not to mention that the poem was also partly about one of America's premier poets, Jane Kenyon, who was the one with the leukemia and then the delirium.) No. Somehow it was intuitively important to me that I describe it just as a poem by a guy who'd been in this hospital, as casually as I could, as if he'd written it down on a piece of paper and someone at the nurse's station had xeroxed it, and a nurse posted it up in the break room, and a resident passed it around on rounds with everyone nodding and saying, "Wow, that's cool. That's a really good poem."

Although this is not how the poem found its way to me, it seemed useful to imply that it had. By acting like it was just this poem that the nurses had been handing around, I think I hoped to convey that I was just connecting the experience of one inhabitant of this hospital to another. Perhaps this was my barely conscious effort to play an old role, based on the idea that the doctor should exist only in the social role of doctor. The doctor lives not as the person who goes home and reads a book of poems, but only as one of the crew, on the ship, tending to the churning, pounding engines.